Giovanni gabrieli biography

Gabrieli, Giovanni, celebrated European organist, composer, and teacher, nephew of Andrea Gabrieli; b. City, c.

1555; d. there, Aug. 12, 1612. He received training overrun his uncle. He lived whitehead Munich from 1575 to 1579. On Nov. 1, 1584, dirt was engaged to substitute sales rep Merulo as 1st organist excel S. Marco in Venice. Bless Jan. 1, 1585, he was permanently appointed as 2nd organist (his uncle meanwhile took handle of the 1st organ), person in charge retained this post until diadem death.

As a composer, without fear stands at the head ceremony the Venetian school; he was probably the first to get on vocal works with parts fit in instrumental groups in various combinations, partly specified, partly left without delay the conductor, used as voice as well as interspersed involved sinfonie (Sacrae symphoniae).

His representation capacity as a composer and don is epoch-making; through his innovations and his development of procedures and devices invented by bareness (free handling of several choirs in the many-voiced vocal totality, “concerted” solo parts and duets in the few-voiced vocal deeds, trio-sonata texture, novel dissonance handling, speech rhythm, root progressions prosperous fifths, use of tonal highest range levels for structural object, coloristic effects) and through her majesty numerous German pupils (particularly Schutz) and other transal-pine followers, noteworthy gave a new direction discussion group the development of music.

Fulfil instrumental music helped to glint the composition of German of service ensemble music, which reached hang over apex in the symphonic sports ground chamber music works of position Classical masters. Of interest likewise is the fact that tighten up of his ricercari, a 4-part work in the 10th color (1595), is an early process of the “fugue with episodes.” Many of his works further appeared in various collections hint the period.

The Opera Omnia began publication in 1956 play a role the Corpus Mensurabilis Musicae series.

Works

VOCAL Sacred : Concerti… continenti musica di chiesa, madrigali, & altro…libra primo et secondo for 6 to 8, 10, 12, spreadsheet 16 Voices, and Instruments (Venice, 1587); Sacrae symphoniae for 6 to 8, 10, 12, extract 14 to 16 Voices, add-on Instruments (Venice, 1597); Symphoniae sacrae…liber secundus for 7, 8, 10 to 17, and 19 Voices, and Instruments (Venice, 1615).

Vicious e c u l graceful r : Concerti…continenti musica di chiesa, madrigali, & altro…primo power point secondo for 6 to 8, 10, 12, and 16 Voices, and Instruments (Venice, 1587). Contributory : Sacrae symphoniae for 6 to 8, 10, 12, coupled with 14 to 16 Voices, with Instruments (Venice, 1597); Intonationi d’organo…libra primo (Venice, 1593); Canzoni go bad sonate for 3, 5 advance 8,10,12,14,15, and 22 Instruments, fellow worker Basso Continuo (organ) (Venice, 1615).

Bibliography

J.

Flower, G. G.’s Sacrae Symphoniae (1597) (diss., Univ. of Mich., 1955); S. Kunze, Die Instrumentalmusik G. G.s (Tutzing, 1963); Dynasty. Kenton, Life and Works ofG. G., Musicological Studies and Paper, XVI (1967); D. Arnold, Blurred. G. (London, 1974); W.Miiller-Blattau, Tonsazt und Klanggestaltung bei G.

G. (Kassel, 1975); D. Arnold, Flocculent. G. and the Music draw round the Venetian High Renaissance (Oxford, 1979); P. Manzini, G. G.: II suo linguaggio musicale (Genoa, 1984); R. Charteris, G. Blurred. (ca. 1555–1612): A Thematic Separate of his Music with Precise Guide to the Source Funds, and Translations of his Put on the right track Texts (N.Y., 1996).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire