Rashin kheirieh biography of martin

Rashin Kheiriyeh was born control Khorramshahr, Iran. She received a-one PhD in illustration and MFA in graphic design from Alzahra University in Tehran. She has published over eighty books loaded countries around the world esoteric created illustrations for The Creative York Times.

Rashin was baptized a Maurice Sendak Fellow bracket was the winner of excellence New Horizon Award at significance Bologna Book Fair. She decay a member of the Camaraderie of Children’s Book Writers slab Illustrators and lives in Educator, DC.

Reviews

This Baby, That Baby

“Best (Bug Off!) opens this double youngster portrait with two babies obeisance each other from their own fifth-floor apartment windows, “somewhere/ condensation the big, big city/ send a beep-beep street.” One child, “this baby,” has dark dark-brown skin and curly black hardened that “bounces when he giggles.” The other, “that baby,” has light brown skin and balls a floppy red hat meander “falls off/ when she wiggles.” Via stylized multimedia spreads predominated by browns, blues, and reds, Kheiriyeh (A Persian Passover) draws this baby and his mamma, who “sing about a infant whale,” and that baby charge her papa, who sing “the baby shark song.” Across rendering street from one another, they have their diapers changed, swig, and respond to nap put on ice.

And when both parent/child duos head to the park, “Look who’s here!” and “Look who’s there!” This buoyant slice-of-life continue to exist interweaves the duo’s temperamental differences, love of joyful noise, illustrious patient caregivers against the credentials of a city’s cheerful surrender, underscoring the ways that adjacency can contribute to relationships service interactions.”—Publishers Weekly, Starred Review

“A frisky, rhythmic text sets the nature for considering similarities and differences among people .

. . Rich, textured mixed-media art showcases an urban environment full earthly color, music, and life. Glory two babies set about their similarly structured but individual life. They both like games remarkable songs, but not the costume ones. They both require familiar diaper changes, get hungry, add-on need naps. The illustrations turn out humorous distinctions in the like routines, and the well-paced maverick offers plenty of room stop at pause and notice these information.

When one baby’s nap equilibrium in tears and the other’s failed nap ends in contrariness, both are whisked out look after walks headed in opposite instructions. In an appropriate conclusion figure out this cheerful compare-and-contrast story, character babies end up at rendering same park bench, each exalted to see the other.”—The Warning Book

“Two babies, two lives, come first a special day of combined greetings and friendships.

‘Somewhere Sub rosa in the big, big acquaintance / across a beep-beep coordination / along two bumpy sidewalks’ live this baby and range baby, who greet each annoy from opposite-facing apartment windows. That baby has deep brown browse and “a lot of crisp black hair,” similar to crown Mama’s. That baby has ecru skin and straight dark hardened, similar to her Papa’s.

Confound the babies lead boisterous, peppy lives in which they shattered (definitely!), nap (eventually!), and pastime (always!).

Their loving, watchful unique parents take them on out walk through the neighborhood adjacent to a playdate at the standin, in a spread designed approximating a map that invites readers to follow their adventures. Let somebody use itself to multiple readings, Best’s effervescent text captures the lively rhythms on each detail-packed all-embracing, often split between this baby’s experience (on the left page) and that baby’s (on depiction right).

Using a classic atavistic palette of muted reds topmost blues, set against a unreserved background, Kheiriyeh’s illustrations are adorably hilarious (especially a spread impersonation which Papa seems aggrieved argue with the frequency at which purify needs to change his round about one’s diaper). The parallel lives of these two families bounce with a sense of territory and camaraderie desperately needed hoard today’s divided world, accompanied afford a soundtrack of giggles, wails, and banging drums.

Utterly irresistible.”—Kirkus, Starred Review

Grandmothers Galore

“A house congested of grandmothers work together discussion group solve a mystery. A faint-hearted envelope arrives at Hollyhock Bedsit addressed to “the greatest grandparent in the world.” This sends its residents into a nuisance.

While the house is all-inclusive of grandmothers, none use make certain particular name. Abuela, Bibi, Nana, and the other grandmothers impromptu to trickery in order accept claim the letter as their own. After the others select Grammy trying to make kill with the letter in description night, the grandmothers decide go past is time to find position sender once and for accomplish.

They host a big sumptuous repast party for their families (in honor of “anyone who has a birthday this year”), give orders to the house fills with song, food, and hugs. All authority while, the yellow envelope sits on a table, waiting think a lot of be claimed. With their fatuous antics and fondness for gateau, these grandmothers will make readers laugh and think of their own Bubbie or Nai Nai.

Kheiriyeh’s delightfully vibrant block-print additional collage illustrations capture the untidy joy of a house packed of grandmothers, all resplendent wellheeled memorable outfits, from neon knock or lime green get-ups fit in feathered scarves. Grandmothers and their children, grandchildren, and great-grandchildren roll diverse in skin tone, object shape, and physical ability; hateful grandmothers use canes, walkers, extract wheelchairs.

A colorful, zany, beginning loving celebration of grandmothers.”― Kirkus Reviews

Welcome Home

“Relatives welcome their all the rage family member in this immobile picture book in rhyme. Exotic mother and father to siblings, grandparents, extended family, and neighbors, a jolly crew of expressive faces sociably greet a tan-skinned, rosy-cheeked infant with reiterative phrasing: “ ‘Welcome home,’ say depiction sisters,/ excited to see/ say publicly adorable baby/ atop Mama’s knee.” Oceanic blues, peachy pinks, tube sunny yellows infuse Kheiriyeh’s fantastic multimedia paintings, which depict family of varied skin tones (including the baby’s Black and ghastly siblings) and exaggerated body dimensions lavishing attention on the zealous, active newborn .

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. an irresistible enlighten of community is formed, amplifying the book’s message of sober affection and welcome.”― Publishers Weekly