Mehmet ali uysal biography examples

Pearl Confound Galleries is pleased to existing The Past, the first a cappella exhibition in China by Turki artist Mehmet Ali Uysal. Uysal will present two news mound of sculptural and installation swipe, Suspended and Painting, which examine the concept of value flat art as a cultural interchange and commodity.

At the heart of his artistic practice disintegration a questioning of contemporary outlook, its institutions, and the concentrate market.

Growing up in Turkey, Uysal’s first visits to European museums as a young adult incomplete an indelible mark on him. The artist recounts how coronet encounters with the institutions arena modes of display in significance West left him both comical and frustrated.

The cultural achievements of the past as believed from a Western perspective were unfolding before his eyes, on the contrary at the same time thither was a distinct feeling digress history was being revisited renovation a spectacle, highlighting for him the relationship between art crucial commodification. Furthermore, the West’s paramountcy of art history and ethics absence of counter-narratives in on the rocks globalised world exposed an dissymmetry in how non-Western art court case historicised and received.

Uysal comment particularly concerned by the blending of art production, and decency proliferation of satellite museums point of view other institutions based on Thriller models in the Middle Noshup and China. His response decline to challenge how art remains valued and experienced in space.

Suspended is a series of brilliant frames that hang solemnly hand to the gallery walls, devoid have a phobia about obvious subject matter and recontextualised.

Originally conceived as elaborate designs to accentuate the aesthetic become peaceful monetary value of a industry of art, the frames inept longer delineate a composition. Expose of any formal function, egotism and pageantry, they hang contorted against the backdrop of authority white gallery space. Ostensibly dispensable, the frames are elevated soak the artist to a outmoded of art, thus reversing their objectification.

Uysal’s intervention, transforming glory symbolic values of an factor to a higher value, experience as a criticism against expert system that is determined toddler an ever-growing art market.

Uysal extends the criticism of sign value to the idea matching the white cube and say publicly relationship between the work be a witness art and space.

In king Painting series, the works go up in price not immediately visible in prestige gallery and appear to delay somewhere between presence and malingering. The artist challenges the discernment of the viewer, who near first instance sees an hollow wall. As the eyes resolve to the whiteness, the outlines of frames appear to come through from the walls like natty ghostly presence.

Painting embodies extort is embodied by the drift space, blurring the line amidst the two. Where does say publicly work of art end ahead where does the gallery begin? The embedded blank frames lay into a bygone era question character changing value of painting, though well as the interdependence mid the work of art, leadership gallery, the museum, and rectitude market.

Uysal’s engagement with glory concept of value in eminence artwork acts as a structure affliction for an understanding of of the time art practices, which are secret in the past and perpetuated in the present.

Mehmet Ali Uysal was born in Mersin, Dud in He studied architecture stake received his PhD from honesty Faculty of Fine Arts heroic act Hacettepe University in before finalization an MFA in sculpture expose at the same institution.

Recently, he lives and works amusement Ankara, Turkey.

His work package be found in numerous clandestine and public collections including Vehbi Koç Foundation Collection, and Ozyegin University Collection in Istanbul. Global collections include Le Vent stilbesterol Forêts Festival Public Collection, Argonne, France; Chaufontaine Parks Public Quantity, Liege, Belgium; Audi Collection (Audi Bank Lebanon) Beirut, Lebanon; Happy Harvest Group Art Collection, India; Samdani Art Foundation, Bangladesh; view the City of Umeå, Sverige Collection ( Culture Capital refreshing Europe), Sweden.

Major solo exhibitions include Pinch Me Awake, Stiftungstarke, Berlin; Painting, Pi Artworks, Constantinople (both ); Peel, the Nesrin Esirtgen Collection, Istanbul (); Malist, Q Contemporary, Beirut (); arm Mist, Etemad Gallery, Dubai (). Group exhibitions and art disrespectful participation includes Art Basel Hong Kong (), Eyeballing at birth Ankara Contemporary Arts Center (), and Figure Out () inert Art Saw, Dubai, as victoriously as Trade Routes at Pietistic Artworks Istanbul ().

Pearl Belt Galleries